Chicago Students Group Discussion of The Scottsboro Boys (7)

Chicago Students Group Discussion of The Scottsboro Boys (7) Tube. Duration : 0.68 Mins.

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Scottsboro Boys Talkback Dec 9, 2010 Feat. CBS's Jan Crawford and Lecia Brooks

Scottsboro Boys Talkback Dec 9, 2010 Feat. CBS's Jan Crawford and Lecia Brooks Video Clips. Duration : 2.87 Mins.

Lecia Brooks is from the The Civil Rights Memorial. This talkback was immediately after the sold out performance on Thursday, Dec 9, 2010.

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In Rehearsal with "The Scottsboro Boys"

In Rehearsal with "The Scottsboro Boys" Video Clips. Duration : 3.83 Mins.

Catching up with the cast of the Broadway musical during rehearsals.

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Porgy and Bess - 2012 Broadway Revival - Norm Lewis Interview

Porgy and Bess - 2012 Broadway Revival - Norm Lewis Interview Tube. Duration : 2.07 Mins.

The Broadway revival of the Gershwins' Porgy and Bess stars Audra McDonald, Norm Lewis and David Alan Grier. Norm Lewis gives Just Dance the inside scoop on his favorite moments, in this interview! Follow Us on Twitter -- www.twitter.com Director - Diane Paulus Choreographer - Ronald K. Brown Music - George Gershwin Lyrics - Ira Gershwin Book and additional Lyrics - DuBose Heyward Script Adaptation - Suzan-Lori Parks www.porgyandbessonbroadway.com Originally penned as a four-hour folk opera, The Gershwins' Porgy and Bess arrives at the Richard Rodgers in a streamlined two-and-a-half-hour staging. At the helm of the production, now billed as a musical, is Tony Award-nominated director Diane Paulus (Hair). It officially opened on Jan. 12, 2012, for a limited run through June 24, 2012. Porgy and Bess has music by George Gershwin, lyrics by his brother Ira and a book and additional lyrics by DuBose Heyward. It is based on the play Porgy, by DuBose and Dorothy Heyward. The Gershwin and Heyward estates gave their blessing to Tony-nominated Hair director Paulus to bring fresh context to Porgy and Bess for contemporary audiences. This production first premiered at the American Repertory Theater (ART) last summer, where Paulus is artistic director. The creative team also boasts Pulitzer Prize-winning playwright Suzan-Lori Parks (Topdog/Underdog, Book of Grace), who is credited with adaptation and additional scenes, and Pulitzer Prize nominee Diedre Murray (Running Man), credited ...

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My First Movie Ever (Scottsboro Trials)

My First Movie Ever (Scottsboro Trials) Video Clips. Duration : 6.45 Mins.

Class project/my first movie

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Son Rise Baptist Church of Scottsboro - Mansion Over The Hilltop

Son Rise Baptist Church of Scottsboro - Mansion Over The Hilltop Video Clips. Duration : 2.90 Mins.

Son Rise Baptist Church of Scottsboro Al at Mount Carmel Baptist Church in Fort Payne Alabama May 2009 - Mansion Over The Hilltop

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The Time of Our Singing: A Novel

The Time of Our Singing: A Novel Review

The Time of Our Singing: A Novel Overview

On Easter day, 1939, at Marian Anderson’s epochal concert on the Washington Mall, David Strom, a German Jewish émigré scientist, meets Delia Daley, a young Philadelphia Negro studying to be a singer. Their mutual love of music draws them together, and—against all odds and better judgment—they marry. They vow to raise their children beyond time, beyond identity, steeped only in song. Jonah, Joseph, and Ruth grow up, however, during the Civil Rights era, coming of age in the violent 1960s, and living out adulthood in the racially retrenched late century. Jonah, the eldest, “whose voice could make heads of state repent,” follows a life in his parents’ beloved classical music. Ruth, the youngest, devotes herself to community activism and repudiates the white culture her brother represents. Joseph, the middle child and the narrator of this generation-bridging tale, struggles to find himself and remain connected to them both.

The Time of Our Singing: A Novel Specifications

In some respects, Richard Powers's The Time of Our Singing is just a big, absorbing drama about an American family, with the typical ingredients of an immigrant parent and some social obstacles--in this case, a biracial marriage in the Civil Rights era--to be overcome by the talented children. But Powers's lyrical gifts lift this material far above its familiar subject matter. His descriptions of music alone will transport the reader. The Strom family were raised with this common language: "Our parents' Crazed Quotations game played on the notion that every moment's tune had all history's music box for its counterpoint. On any evening in Hamilton Heights, we could jump from organum to atonality without any hint of all the centuries that had died fiery deaths between them." The central figure of this novel is the dazzling Jonah, who makes a life from singing, and who may be the only person around him who regards his racial heritage as irrelevant to his ambitions. Powers's is such a fertile writer, however, that he can't stay with any single story, but plunges into pages and pages of family and social histories. The result is a rambling, resonant, fearless novel that pulls the reader along in its wake. --Regina Marler

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