Sunday, September 30, 2012

NIGHT AFTER NIGHT

NIGHT AFTER NIGHT Tube. Duration : 5.97 Mins.


John Cullum explains he prepares each night, for the nightly performance. Emily asks if he's bored, does he warm up his voice, his body, and does he ever go blank? "Yes," John exclaims, and re-enacts what happened to him on one of the preview nights last week. Performing the moment for her, John delivers a speech that doesn't make much sense, but viewers will get a good sense of how John Cullum attacks the role that he's performing every night at the Lyceum Theater, in "Scottsboro Boys.".

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Saturday, September 29, 2012

First Monday Weekend in Scottsboro, Alabama

Scottsboro, Alabama is the home of one of the largest trading days in the region. First Monday Weekend is held each month starting on the Saturday before the first Monday of the month. This huge event is held in downtown Scottsboro in the area around the Jackson County Courthouse Square.

First Monday in Scottsboro goes back more than 100 years. It began in 1902 as Horse Swapper's Day. After a rather slow beginning, the event was eventually changed to Market Day to give area farmers a place to sell and trade their goods. Over the years the variety of vendors increased and so did the crowds. Today First Monday in Scottsboro is a massive trading weekend.

Scottsboro

First Monday has had to adapt to changing times. Many vendors who had full time jobs were unable to participate only on Mondays, so the event is now held Saturday, Sunday, and Monday. Sundays generally bring out the largest crowds. Labor Day Weekend is usually the biggest and best weekend with thousands of people in attendance. Many vendors are regulars who reserve their spaces from month to month. Vendors are expected to set up at least one day of the weekend.

First Monday Weekend in Scottsboro, Alabama

Today no horses or other animals are swapped on First Monday. What buyers will find are handmade crafts, furniture, antiques, baskets, plants, clothing, and food vendors. The atmosphere is fun and festive, and people enjoy browsing among the booths. All kinds of treasures await those who attend First Monday.

Located in northeast Alabama, Scottsboro is situated on Lake Guntersville, the Tennessee River's largest lake. Downtown Scottsboro has an attractive historic district, filled with a variety of shops and restaurants. Courthouse Square, containing the Jackson County Courthouse, is the centerpiece of downtown. Local highways and Interstates serving the Scottsboro area are Interstate 65 and U.S. Hwy. 72, making it easily accessible to the many local attractions and fun things to do.

First Monday Weekend in Scottsboro, Alabama

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Friday, September 28, 2012

Chicago Students Group Discussion of The Scottsboro Boys (7)

Chicago Students Group Discussion of The Scottsboro Boys (7) Tube. Duration : 0.68 Mins.



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Thursday, September 27, 2012

Scottsboro Boys Talkback Dec 9, 2010 Feat. CBS's Jan Crawford and Lecia Brooks

Scottsboro Boys Talkback Dec 9, 2010 Feat. CBS's Jan Crawford and Lecia Brooks Video Clips. Duration : 2.87 Mins.


Lecia Brooks is from the The Civil Rights Memorial. This talkback was immediately after the sold out performance on Thursday, Dec 9, 2010.

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Wednesday, September 26, 2012

In Rehearsal with "The Scottsboro Boys"

In Rehearsal with "The Scottsboro Boys" Video Clips. Duration : 3.83 Mins.


Catching up with the cast of the Broadway musical during rehearsals.

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Tuesday, September 25, 2012

Porgy and Bess - 2012 Broadway Revival - Norm Lewis Interview

Porgy and Bess - 2012 Broadway Revival - Norm Lewis Interview Tube. Duration : 2.07 Mins.


The Broadway revival of the Gershwins' Porgy and Bess stars Audra McDonald, Norm Lewis and David Alan Grier. Norm Lewis gives Just Dance the inside scoop on his favorite moments, in this interview! Follow Us on Twitter -- www.twitter.com Director - Diane Paulus Choreographer - Ronald K. Brown Music - George Gershwin Lyrics - Ira Gershwin Book and additional Lyrics - DuBose Heyward Script Adaptation - Suzan-Lori Parks www.porgyandbessonbroadway.com Originally penned as a four-hour folk opera, The Gershwins' Porgy and Bess arrives at the Richard Rodgers in a streamlined two-and-a-half-hour staging. At the helm of the production, now billed as a musical, is Tony Award-nominated director Diane Paulus (Hair). It officially opened on Jan. 12, 2012, for a limited run through June 24, 2012. Porgy and Bess has music by George Gershwin, lyrics by his brother Ira and a book and additional lyrics by DuBose Heyward. It is based on the play Porgy, by DuBose and Dorothy Heyward. The Gershwin and Heyward estates gave their blessing to Tony-nominated Hair director Paulus to bring fresh context to Porgy and Bess for contemporary audiences. This production first premiered at the American Repertory Theater (ART) last summer, where Paulus is artistic director. The creative team also boasts Pulitzer Prize-winning playwright Suzan-Lori Parks (Topdog/Underdog, Book of Grace), who is credited with adaptation and additional scenes, and Pulitzer Prize nominee Diedre Murray (Running Man), credited ...

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Monday, September 24, 2012

My First Movie Ever (Scottsboro Trials)

My First Movie Ever (Scottsboro Trials) Video Clips. Duration : 6.45 Mins.


Class project/my first movie

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Sunday, September 23, 2012

Son Rise Baptist Church of Scottsboro - Mansion Over The Hilltop

Son Rise Baptist Church of Scottsboro - Mansion Over The Hilltop Video Clips. Duration : 2.90 Mins.


Son Rise Baptist Church of Scottsboro Al at Mount Carmel Baptist Church in Fort Payne Alabama May 2009 - Mansion Over The Hilltop

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Saturday, September 22, 2012

The Time of Our Singing: A Novel

The Time of Our Singing: A Novel Review


The Time of Our Singing: A Novel Overview

On Easter day, 1939, at Marian Anderson’s epochal concert on the Washington Mall, David Strom, a German Jewish émigré scientist, meets Delia Daley, a young Philadelphia Negro studying to be a singer. Their mutual love of music draws them together, and—against all odds and better judgment—they marry. They vow to raise their children beyond time, beyond identity, steeped only in song. Jonah, Joseph, and Ruth grow up, however, during the Civil Rights era, coming of age in the violent 1960s, and living out adulthood in the racially retrenched late century. Jonah, the eldest, “whose voice could make heads of state repent,” follows a life in his parents’ beloved classical music. Ruth, the youngest, devotes herself to community activism and repudiates the white culture her brother represents. Joseph, the middle child and the narrator of this generation-bridging tale, struggles to find himself and remain connected to them both.

The Time of Our Singing: A Novel Specifications

In some respects, Richard Powers's The Time of Our Singing is just a big, absorbing drama about an American family, with the typical ingredients of an immigrant parent and some social obstacles--in this case, a biracial marriage in the Civil Rights era--to be overcome by the talented children. But Powers's lyrical gifts lift this material far above its familiar subject matter. His descriptions of music alone will transport the reader. The Strom family were raised with this common language: "Our parents' Crazed Quotations game played on the notion that every moment's tune had all history's music box for its counterpoint. On any evening in Hamilton Heights, we could jump from organum to atonality without any hint of all the centuries that had died fiery deaths between them." The central figure of this novel is the dazzling Jonah, who makes a life from singing, and who may be the only person around him who regards his racial heritage as irrelevant to his ambitions. Powers's is such a fertile writer, however, that he can't stay with any single story, but plunges into pages and pages of family and social histories. The result is a rambling, resonant, fearless novel that pulls the reader along in its wake. --Regina Marler

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Friday, September 21, 2012

Harper Lee's To Kill a Mockingbird: New Essays

Harper Lee's To Kill a Mockingbird: New Essays Review


Harper Lee's To Kill a Mockingbird: New Essays Overview

In 1960, To Kill a Mockingbird was published to critical acclaim. Harper Lee's only novel won the Pulitzer Prize and was transformed into a beloved film starring Gregory Peck as Atticus Finch. An American classic that frequently appears in middle school and high school curriculums, the novel has been subjected to criticism for its subject matter and language. Still relevant and meaningful, To Kill a Mockingbird has nonetheless been under-appreciated by many critics. There are few books that address Lee's novel's contribution to the American canon and still fewer that offer insights that can be used by teachers and by students. To commemorate the novel's 50th anniversary, Meyer has assembled a collection of new essays that celebrate this enduring work of American literature. These essays suggest that author Harper Lee deserves more credit for skillfully shaping a masterpiece that not only addresses the problems of the 1930s but also helps its readers see the problems and prejudices the world faces today. Intended for high school and undergraduate usage, as well as for teachers planning to use To Kill a Mockingbird in their classrooms, this collection of essays approaches the novel from educational, legal, social, and thematic perspectives. It will be a valuable resource for all teachers of American literature.

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Thursday, September 20, 2012

James Baldwin : Collected Essays : Notes of a Native Son / Nobody Knows My Name / The Fire Next Time / No Name in the Street / The Devil Finds Work / Other Essays (Library of America)

James Baldwin : Collected Essays : Notes of a Native Son / Nobody Knows My Name / The Fire Next Time / No Name in the Street / The Devil Finds Work / Other Essays (Library of America) Review


James Baldwin : Collected Essays : Notes of a Native Son / Nobody Knows My Name / The Fire Next Time / No Name in the Street / The Devil Finds Work / Other Essays (Library of America) Overview

"Collected Essays" is the most comprehensive gathering of Baldwin's nonfiction ever published. The collection confirms his as a uniquely prophetic voice in American letters. Included are such famous essays as "The Harlem Ghetto", "Everybody's Protest Novel", Many Thousands Gone", and "Stranger in the Village" .

James Baldwin : Collected Essays : Notes of a Native Son / Nobody Knows My Name / The Fire Next Time / No Name in the Street / The Devil Finds Work / Other Essays (Library of America) Specifications

Writer James Baldwin earnestly championed the civil rights movement in both his fiction and nonfiction, a fact which, coupled with his extraordinary writing talent, assured not only his historical importance, but also his place as one of the finest African American writers of his generation. Collected Essays is a comprehensive collection of his most memorable prose, including "Stranger in the Village," "The Harlem Ghetto," and "Many Thousands Gone." Clear in voice and vision, the essays communicate the emotions of an entire historical movement. Combining politics, prophecy, and passion, Baldwin's essays are truly as thought-provoking today as they were some 30 years ago.

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Wednesday, September 19, 2012

Dare To Go Beyond -The Album

Dare To Go Beyond -The Album Tube. Duration : 2.00 Mins.


Dare To Go Beyond - The Album Executive creative producer: Luis Salgado Record producer: Lynn Pinto for Rocket Science Records Associate executive creative producer: Heather Hogan Orchestrations & arrangements by Jaime Lozano Music director: Zachary Dietz Associate music director: Jaime Lozano Engineered by Andros Rodriguez Mixed by Andros Rodriguez Mastered by Nathan James Music advisor: Alex Lacamoire Assistant engineers: Sam Giannelli & Kevin Geigel Second assistant engineer: Chris Souverain Assistant music arranger: Jesús Altamira Art design: Victor Rodriguez R.Evolución Latina internal media director: Sally Neiman Recorded & mixed at Premier Digital Studios NYC Mastered at The Vault Mastering Studios NYC Featuring Broadway Artists: Corbin Bleu (In The Heights, "High School Musical"), Andrea Burns (In The Heights), Janet Dacal (In The Heights), Joshua Henry (Scottsboro Boys), Luis Salgado (In The Heights, Women on The Verge of A Nervous Breakdown), Marcus Paul James (In The Heights), Josefina Scaglione (West Side Story), Gabriela Garcia (Chicago, The Musical), Doreen Montalvo (In The Heights) George Akram (West Side Story), Eliseo Roman (In The Heights), Michael Balderrama (In The Heights), Taharqa Patterson, Andrea Patterson, Choco Orta. About The Album In his quest to produce unique resources that inspire, R.Evolución Latina Director and CD Creative Producer, Luis Salgado, gathered a talented group of singers, songwriters and musicians to share their talents and ...

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Tuesday, September 18, 2012

The Portable Harlem Renaissance Reader (Portable Library)

The Portable Harlem Renaissance Reader (Portable Library) Review


The Portable Harlem Renaissance Reader (Portable Library) Overview

Gathering a representative sampling of the New Negro Movement's most important figures, and providing substantial introductory essays, headnotes, and brief biographical notes, Lewis' volume—organized chronologically—includes the poetry and prose of Sterling Brown, Countee Cullen, W. E. B. Du Bois, Zora Neale Hurston, James Weldon Johnson, and others.

The Portable Harlem Renaissance Reader (Portable Library) Specifications

This collection magnificently represents the great voices of this era. The volume includes the work of some forty-five Renaissance figures: short fiction and self-contained novel excerpts by Zora Neale Hurston, Nella Larsen, Wallace Thurman, and Jean Toomer; poems by Gwendolyn Bennett, Countee Cullen, Jessie Redmon Fauset, Langston Hughes, and Claude McKay; essays, manifestos, speeches, and nostalgic reminiscences by Romare Bearden, W. E. B. Dubois, Marcus Garvey, James Weldon Johnson, Alain Locke, and Richard Wright.

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Monday, September 17, 2012

Crossing the Danger Water: Three Hundred Years of African-American Writing

Crossing the Danger Water: Three Hundred Years of African-American Writing Review


Crossing the Danger Water: Three Hundred Years of African-American Writing Overview

The history of African-American life and thought presented in this anthology represents a far-reaching written and oral tradition, which is thought-provoking, inspiring, and impressive in its breadth. It includes poetry and prose by today's best and most well-known writers.

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Saturday, September 15, 2012

The Cast of Company on the 2011 Tony Awards.

The Cast of Company on the 2011 Tony Awards. Tube. Duration : 4.95 Mins.


WATCH FULL VIDEO AT THIS LINK :::: tony-awards-2011-highlights.notlong.com http Tony Awards 2011 Highlights: 'Book Of Mormon' and 'War Horse' Win Big (PHOTOS, VIDEO) New York , Stephen Colbert , Video , Anything Goes , Book Of Mormon , How I Met Your Mother , Hugh Jackman , Neil Patrick Harris , New York City , Spider-Man Musical , Sutton Foster , The Scottsboro Boys , Tony Awards , Awards Show , Book Of Mormon Broadway , Broadway , Comedy , Mormons , Arts News

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Friday, September 14, 2012

At the Hands of Persons Unknown: The Lynching of Black America (Modern Library Paperbacks)

At the Hands of Persons Unknown: The Lynching of Black America (Modern Library Paperbacks) Review


At the Hands of Persons Unknown: The Lynching of Black America (Modern Library Paperbacks) Overview

Winner of the Southern Book Critics Circle Award for Nonfiction

This extraordinary account of lynching in America, by acclaimed civil rights historian Philip Dray, shines a clear, bright light on American history’s darkest stain—illuminating its causes, perpetrators, apologists, and victims. Philip Dray also tells the story of the men and women who led the long and difficult fight to expose and eradicate lynching, including Ida B. Wells, James Weldon Johnson, Walter White, and W.E.B. Du Bois. If lynching is emblematic of what is worst about America, their fight may stand for what is best: the commitment to justice and fairness and the conviction that one individual’s sense of right can suffice to defy the gravest of wrongs. This landmark book follows the trajectory of both forces over American history—and makes lynching’s legacy belong to us all.

At the Hands of Persons Unknown: The Lynching of Black America (Modern Library Paperbacks) Specifications

Lynching, the extrajudicial punishment inflicted by vigilantes and mobs on often innocent victims, was far from an unusual occurrence, though some historians have depicted it as such. Instead, writes Philip Dray, lynching was part of a "systematized reign of terror that was used to maintain the power whites had over blacks." Drawing on records held at the Tuskegee Institute, Dray argues that from 1882 until 1952, not a single year passed without a recorded lynching somewhere in the United States, most often in the Deep South and Mississippi Delta regions. This violent "justice," meted out "at the hands of persons unknown" (with, therefore, no possibility of attaching guilt to the perpetrators, though, as Dray points out, such seemingly spontaneous events required organization and planning) held African American communities in terror and was one force behind the exodus of black southerners to the north in the late 19th and early 20th centuries. Dray's extraordinary study reveals a pattern of crime against humanity, one that, he writes, diminished gradually for various reasons, not least of them the work of reformers and ordinary citizens "who knew we were too good to be a nation of lynchers." --Gregory McNamee

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Thursday, September 13, 2012

"Scottsboro Boys" Interview pt. 2

"Scottsboro Boys" Interview pt. 2 Video Clips. Duration : 9.55 Mins.



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Wednesday, September 12, 2012

Anthology of Modern American Poetry

Anthology of Modern American Poetry Review


Anthology of Modern American Poetry Overview

Anthology of Modern American Poetry contains more than 750 poems by 161 American poets, including many who have not been anthologized before. Spanning a period from Walt Whitman to Sherman Alexie, this collection is the first to review the twentieth century comprehensively. It presents not only the canonical poetry of the last hundred years but also numerous poems by women, minority, and progressive writers only rediscovered in the past two decades.

Uniquely comprehensive, Anthology of Modern American Poetry represents Robert Frost with 23 poems, Wallace Stevens with 22, and Marianne Moore with 14, including her most ambitious long poems. William Carlos Williams is represented not only by his exquisite short lyrics, but also with an experimental combination of poetry and prose. With 29 poems, Langston Hughes is given full treatment for the first time in any comprehensive anthology. Substantial selections by contemporary poets like John Ashbery, Sylvia Plath, Frank O'Hara, Philip Levine, Lucille Clifton, Judy Grahn, Adrian Louis, Yusef Komunyakaa, Martín Espada, and Sherman Alexie are also included.

Anthology of Modern American Poetry is the first anthology to give full treatment to American long poems and poem sequences. T.S. Eliot's The Waste Land, Gertrude Stein's "Patriarchal Poetry," William Carlos Williams's The Descent of Winter, Edna St. Vincent Millay's "Sonnets from an Ungrafted Tree," Muriel Rukeyser's "The Book of the Dead," Melvin Tolson's Libretto for the Republic of Liberia, Theodore Roethke's "North American Sequence," Gwendolyn Brooks's "Gay Chaps at the Bar," Kenneth Rexroth's "The Love Poems of Marichiko," both Allen Ginsberg's "Howl" and his "Wichita Vortex Sutra," and both Adrienne Rich's "Shooting Script" and her "Twenty-One Love Poems" are all included in their entirety.

Anthology of Modern American Poetry offers the most detailed annotations available in an anthology of this type. Many works benefit from specially commissioned research that provides students with such help as the identification of the inventive references in Melvin Tolson's poetry, translation of all foreign language passages, and illumination of obscure references. This is also the only American poetry anthology to present selected poems in the beautifully illustrated form in which they first appeared. In addition, an accompanying website featuring readings of poems and historical background is available at http://www.english.uiuc.edu/maps.

Ideal for courses in modern American poetry, modern American literature, modern or contemporary poetry, creative writing-poetry, and American studies, Anthology of Modern American Poetry introduces students to the last 100 years of our poetic heritage in a uniquely rich and provocative format.

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Tuesday, September 11, 2012

The One: The Life and Music of James Brown

The One: The Life and Music of James Brown Review


The One: The Life and Music of James Brown Overview

The definitive biography of James Brown, the Godfather of Soul, with fascinating findings on his life as a Civil Rights activist, an entrepreneur, and the most innovative musician of our time

Playing 350 shows a year at his peak, with more than forty Billboard hits, James Brown was a dazzling showman who transformed American music. His life offstage was just as vibrant, and until now no biographer has delivered a complete profile. The One draws on interviews with more than 100 people who knew Brown personally or played with him professionally. Using these sources, award-winning writer RJ Smith draws a portrait of a man whose twisted and amazing life helps us to understand the music he made.

The One delves deeply into the story of a man who was raised in abject-almost medieval-poverty in the segregated South but grew up to earn (and lose) several fortunes. Covering everything from Brown's unconventional childhood (his aunt ran a bordello), to his role in the Black Power movement, which used "Say It Loud (I'm Black and Proud)" as its anthem, to his high-profile friendships, to his complicated family life, Smith's meticulous research and sparkling prose blend biography with a cultural history of a pivotal era.

At the heart of The One is Brown's musical genius. He had crucial influence as an artist during at least three decades; he inspires pity, awe, and revulsion. As Smith traces the legend's reinvention of funk, soul, R&B, and pop, he gives this history a melody all its own.

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Monday, September 10, 2012

Corrections: The Essentials

Corrections: The Essentials Review


Corrections: The Essentials Overview

Corrections: The Essentials, is a comprehensive, yet compact version of the typical corrections text. The text addresses the most important topics in corrections in a shorter format, while allowing for more accessibility through cost. It includes the usual topics typically found in corrections textbooks, from the history and development of correctional institutions, to the future of corrections. The book is designed for introductory lower and upper division corrections classes, or as a supplement to other corrections classes at the undergraduate or graduate level.

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Sunday, September 9, 2012

Run..That/GoBackHome

Run..That/GoBackHome Tube. Duration : 3.28 Mins.


'Run and Tell That'- Hairspray (Seaweed) 16bar 'Go Back Home'- Scottsboro Boys: a book by David Thompson, music by John Kander and lyrics by Fred Ebb Accompanied by Lisa Lawrence

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Saturday, September 8, 2012

Review: "The Scottsboro Boys"

Review: "The Scottsboro Boys" Tube. Duration : 7.18 Mins.


David, Amy and Morgan check out the new Kander & Ebb musical.

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Friday, September 7, 2012

Meet the 2011 Tony Nominees part 2

Meet the 2011 Tony Nominees part 2 Tube. Duration : 2.82 Mins.


The American Theatre Wing's 2011 Tony Award® nominations were announced on Tuesday, May 3rd. The next day our friend Julie James of SIRIUS XM radio chatted with this year's nominees including: Andrew Rannells and Rory O'Malley ("The Book of Mormon"), Joshua Henry ("The Scottsboro Boys") Beth Leavel ("Baby It's You!"),Victoria Clark ("Sister Act") and Tony Sheldon ("Priscilla Queen of the Desert").

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Wednesday, September 5, 2012

The Scottsboro Boys Trials Part 6 Way before the Civil Rights Movement 1931 to 1937.avi

The Scottsboro Boys Trials Part 6 Way before the Civil Rights Movement 1931 to 1937.avi Video Clips. Duration : 10.00 Mins.


Yes, Blacks and Whites did march together for one clause prior to the Civil Rights movement, but why is this hidden from History? Watch and find out. The Scottsboro Boys were nine black teenage boys accused of rape in Alabama in 1931. The landmark set of legal cases from this incident deal with racism and a basic American right: the Right to a fair trial. The case includes a frame-up, all-white jury, rushed trials, an attempted lynching, angry mob, and miscarriage of justice.

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Tuesday, September 4, 2012

Tony Awards 2011 - Cast Of Memphis - Steal Your Rock & Roll - HD.

Tony Awards 2011 - Cast Of Memphis - Steal Your Rock & Roll - HD. Tube. Duration : 5.25 Mins.


WATCH FULL VIDEO AT THIS LINK :::: tony-awards-2011-highlights.notlong.com http Tony Awards 2011 Highlights: 'Book Of Mormon' and 'War Horse' Win Big (PHOTOS, VIDEO) New York , Stephen Colbert , Video , Anything Goes , Book Of Mormon , How I Met Your Mother , Hugh Jackman , Neil Patrick Harris , New York City , Spider-Man Musical , Sutton Foster , The Scottsboro Boys , Tony Awards , Awards Show , Book Of Mormon Broadway , Broadway , Comedy , Mormons , Arts News

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Monday, September 3, 2012

American Jesus: How the Son of God Became a National Icon

American Jesus: How the Son of God Became a National Icon Review


American Jesus: How the Son of God Became a National Icon Overview

Jesus the Black Messiah; Jesus the Jew; Jesus the Hindu sage; Jesus the Haight-Asbury hippie: these Jesuses join the traditional figure of Jesus Christ in American Jesus, which was acclaimed upon publication in hardcover as an altogether fresh exploration of American history--and as the liveliest book about Jesus to appear in English in years.

Our nation's changing images of Jesus, Stephen Prothero contends, are a kind of looking class into the national character. Even as most Christian believers cleave to a traditional faith, other people give Jesus a leading role as folk hero, pitchman, and countercultural icon. And so it has been since the nation's founding--from Thomas Jefferson, who took scissors to his New Testament to sort out true from false Jesus material; to the Jews, Buddhists and Muslims who fit Jesus into their own traditions; to the people who adapt Jesus for stage and screen and the Holy Land theme park. American Jesus is "a lively, illuminating and accessible survey that takes us into unexpected corners of our shared religious heritage" (Dan Cryer, Newsday).

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Sunday, September 2, 2012

At the Dark End of the Street: Black Women, Rape, and Resistance--A New History of the Civil Rights Movement from Rosa Parks to the Rise of Black Power (Vintage)

At the Dark End of the Street: Black Women, Rape, and Resistance--A New History of the Civil Rights Movement from Rosa Parks to the Rise of Black Power (Vintage) Review


At the Dark End of the Street: Black Women, Rape, and Resistance--A New History of the Civil Rights Movement from Rosa Parks to the Rise of Black Power (Vintage) Overview

Rosa Parks was often described as a sweet and reticent elderly woman whose tired feet caused her to defy segregation on Montgomery’s city buses, and whose supposedly solitary, spontaneous act sparked the 1955 bus boycott that gave birth to the civil rights movement.

The truth of who Rosa Parks was and what really lay beneath the 1955 boycott is far different from anything previously written.

In this groundbreaking and important book, Danielle McGuire writes about the rape in 1944 of a twenty-four-year-old mother and sharecropper, Recy Taylor, who strolled toward home after an evening of singing and praying at the Rock Hill Holiness Church in Abbeville, Alabama. Seven white men, armed with knives and shotguns, ordered the young woman into their green Chevrolet, raped her, and left her for dead. The president of the local NAACP branch office sent his best investigator and organizer to Abbeville. Her name was Rosa Parks. In taking on this case, Parks launched a movement that ultimately changed the world.

The author gives us the never-before-told history of how the civil rights movement began; how it was in part started in protest against the ritualistic rape of black women by white men who used economic intimidation, sexual violence, and terror to derail the freedom movement; and how those forces persisted unpunished throughout the Jim Crow era when white men assaulted black women to enforce rules of racial and economic hierarchy. Black women’s protests against sexual assault and interracial rape fueled civil rights campaigns throughout the South that began during World War II and went through to the Black Power movement. The Montgomery bus boycott was the baptism, not the birth, of that struggle.

At the Dark End of the Street
describes the decades of degradation black women on the Montgomery city buses endured on their way to cook and clean for their white bosses. It reveals how Rosa Parks, by 1955 one of the most radical activists in Alabama, had had enough. “There had to be a stopping place,” she said, “and this seemed to be the place for me to stop being pushed around.” Parks refused to move from her seat on the bus, was arrested, and, with fierce activist Jo Ann Robinson, organized a one-day bus boycott.

The protest, intended to last twenty-four hours, became a yearlong struggle for dignity and justice. It broke the back of the Montgomery city bus lines and bankrupted the company.

We see how and why Rosa Parks, instead of becoming a leader of the movement she helped to start, was turned into a symbol of virtuous black womanhood, sainted and celebrated for her quiet dignity, prim demeanor, and middle-class propriety—her radicalism all but erased. And we see as well how thousands of black women whose courage and fortitude helped to transform America were reduced to the footnotes of history.

A controversial, moving, and courageous book; narrative history at its best.


From the Hardcover edition.

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Saturday, September 1, 2012

Better Day Coming: Blacks and Equality, 1890-2000

Better Day Coming: Blacks and Equality, 1890-2000 Review


Better Day Coming: Blacks and Equality, 1890-2000 Overview

From the end of postwar Reconstruction in the South to an analysis of the rise and fall of Black Power, acclaimed historian Adam Fairclough presents a straightforward synthesis of the century-long struggle of black Americans to achieve civil rights and equality in the United States. Beginning with Ida B. Wells and the campaign against lynching in the 1890s, Fairclough chronicles the tradition of protest that led to the formation of the NAACP, Booker T. Washington and the strategy of accommodation, Marcus Garvey and the push for black nationalism, through to Martin Luther King, Jr., and the Civil Rights Movement of the 1960s and beyond. Throughout, Fairclough presents a judicious interpretation of historical events that balances the achievements of the Civil Rights Movement against the persistence of racial and economic inequalities.

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