The Day Martin Luther King Jr. Was Shot

The Day Martin Luther King Jr. Was Shot

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MOTHERS DAY RINGS

Scottsboro Preserves Its Historic Past

Scottsboro, Alabama, incorporated in 1870, is a city rich in history. Its past has been well preserved in its historic districts and structures that are listed on the National Register of Historic Places. The downtown historic district contains the courthouse square. Its tree-lined streets are lined with historic homes. Most of the properties are privately owned, but a walk or drive around town affords visitors the opportunity to view a number of these historic structures.

The Public Square Historic District contains Scottsboro's quaint courthouse square. The Jackson County Courthouse, constructed in 1911-12, is the attractive centerpiece. The brick structure was designed in the Neo-Classical style, with four Doric columns supporting its front portico. The building is topped with a cupola containing a clock. The courthouse was the site of the 1931 trial of the Scottsboro Boys, nine young black defendants accused of raping a white woman. Some people consider this trial to be the beginning of the civil rights movement in America. More than two dozen of the buildings surrounding the square have been designated as historic structures. Most are one or 2-story brick commercial structures from the early 20th century.

Scottsboro

The Scottsboro Railroad Depot, at North Houston Street and Maple Avenue, is listed on the National Register of Historic Places. The brick building was constructed in 1860-61 as a passenger and freight depot for the Memphis and Charleston Railroad. On January 8, 1865 it became the focus of an intense Civil War battle between Union forces that held the depot and Confederate troops under the command of Brig. Gen. H.B. Lyon. Confederate artillery eventually drove the Union soldiers from the building. This depot is one of only three remaining pre-Civil War depots in Alabama.

Scottsboro Preserves Its Historic Past

The Brown-Proctor House on South Houston Street is another property listed on the National Register. The Greek-Revival style mansion, built in 1880, currently houses the Jackson Heritage Center. Visitors may tour the home as well as Sagetown, the center's pioneer village. A number of authentic buildings have been moved to the location for preservation, including cabins, a school, and Jackson County's first courthouse, built in 1868.

The College Hill Historic District includes ten structures on College Avenue between Scott and Kyle Streets. This area was Scottsboro's first subdivision. Homes in the district date from 1909 to the 1940s. The building styles include Bungalow, Craftsman, and Classical-Revival.

The preservation efforts in the historic districts show Scottsboro's commitment to honoring its history. This picturesque town in northeast Alabama is well worth a visit.

Scottsboro Preserves Its Historic Past

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How to Find Local Married Women Who Want to Cheat

Another title for this article could be, The easiest way for any guy to arrange sexual encounters in his town in only a few minutes with women who are eager and only want a sexual relationship. True enough, but a bit long! This article teaches you how to find local married women who want to cheat on their husbands. Now, I have always been a fan of the phrase "work smart, not hard." If you are a man looking for a casual hookup, you know this can be hard work. You have a lot of competition. Women can be picky. Maybe you are younger or older than your competition. Perhaps you are over-weight. I am here to tell you: forget all that. A small minority of clever men around the world have cottoned on to married dating. This could be the answer to your problems.

Married dating is essentially when you date someone who is married. It can be a romantic date or a casual hookup; mostly it is for sexual purposes. Here is a fact: married women have fewer scruples than single women. They are far, far less picky. This means you have an easier job of arranging a casual fling. A married women intent on cheating is not looking for a life-partner. You do not have to have a great job or be in great physical shape. As long as you can provide sexual company and be discrete then you will fit the bill for most local wives. So, where do you find local married women?

Scottsboro

A wife intent on cheating does not advertise where her husband or his friends will find out. So forget about online personals for your area or local dating sites. Look, instead, at the hugely popular general dating sites. These sites have a lot of members, millions, and they are not specifically aimed at any one town or city. These are where you will find married ladies. Most of these sites have free communities, too. Once you have an account, you just need to put in a search for married women seeking men in your neighborhood. You will be given a list of women who are online and offline. The quickest way to get a response from someone is to just send the same instant chat message to every woman who is online. In a very short time, you should be chatting to married women who live close by. This is the easiest way to find local wives.

How to Find Local Married Women Who Want to Cheat

How to Find Local Married Women Who Want to Cheat

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Victor Credenza plays John Henry - Lead Belly

Victor Credenza plays John Henry - Lead Belly Video Clips. Duration : 2.83 Mins.

From Wikipedia: Huddie William Ledbetter (January 20, 1888 -- December 6, 1949) was an iconic American folk and blues musician, and multi-instrumentalist, notable for his strong vocals, his virtuosity on the twelve-string guitar, and the songbook of folk standards he introduced. He is best known as Lead Belly. Though many releases list him as "Leadbelly", he himself spelled it "Lead Belly". This is also the usage on his tombstone, as well as of the Lead Belly Foundation. In 1994 the Lead Belly Foundation contacted an authority on the history of popular music, Colin Larkin, editor of the Encyclopedia of Popular Music, to ask if the name "Leadbelly" could be altered to "Lead Belly" in the hope that other authors would follow suit and use the artist's correct appellation. Although Lead Belly most commonly played the twelve-string, he could also play the piano, mandolin, harmonica, violin, and accordion. In some of his recordings, such as in one of his versions of the folk ballad "John Hardy", he performs on the accordion instead of the guitar. In other recordings he just sings while clapping his hands or stomping his foot. The topics of Lead Belly's music covered a wide range of subjects, including gospel songs; blues songs about women, liquor and racism; and folk songs about cowboys, prison, work, sailors, cattle herding, and dancing. He also wrote songs concerning the newsmakers of the day, such as Franklin D. Roosevelt, Adolf Hitler, Jean Harlow, the Scottsboro Boys, and ...

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The Scottsboro Boys Museum and Cultural Center

The Scottsboro Boys Museum and Cultural Center profiles the legal events that led to what many consider the beginning of the civil rights movement in America. The museum, which opened in February 2010, tells the story of nine black teenagers who were accused and tried in 1931 for the rape of two white women. The trials resulted in two landmark decisions by the U.S. Supreme Court dealing with the right to a fair trial.

On March 25, 1931 several people were hoboing on a freight train bound from Chattanooga to Memphis. While passing through northern Alabama, a group of white boys jumped off the train and reported that they had been attacked by a group of black teenagers on the train. The train was stopped and searched at Paint Rock, Alabama, and nine young black boys were arrested. Two white girls on the train then accused the black boys of rape. Shortly after the arrests the cases were tried in nearby Scottsboro. The defense attorneys were given very little time to prepare the cases, and they had little experience in criminal law. The juries in the cases were all white. All but one boy, 12 year old Roy Wright, were convicted of rape and sentenced to death. When the cases were appealed, the Alabama Supreme Court upheld seven of the eight convictions. Eugene Williams, a 13 year old defendant, was granted a new trial because he was a juvenile. A change of venue was granted for the retrials, and one of the women even admitted to making up the rape story. Juries again found all the young men guilty. Two of the cases were appealed to the U.S. Supreme Court, which handed down two landmark decisions. The cases established the principles that criminal defendants are entitled to effective assistance of counsel and that people cannot be excluded from juries based on their race.

Scottsboro

The cases were sent back to the lower courts for retrial, and the defendants were again found guilty. The appeals and retrials lasted six years. The charges were eventually dropped for four of the nine defendants, although all but two of the young men had served prison sentences. While in prison one of the boys was shot by a prison guard. Two of the boys escaped but were caught and returned to prison. Clarence Norris, the oldest defendant, was pardoned by Gov. George Wallace in 1976 and wrote a book about the events.

The Scottsboro Boys Museum and Cultural Center

The Scottsboro Boys Museum and Cultural Center is located in the historic Joyce Chapel United Methodist Church at 428 West Willow Street in Scottsboro. The museum is open the 2nd and 3rd Saturdays of the month from 10am-4pm. Admission is free, but donations are accepted. The museum is dedicated to the nine young men and their struggle against racism. It is both inspiring and educational.

The Scottsboro Boys Museum and Cultural Center

MOTHERS DAY RINGS

NIGHT AFTER NIGHT

NIGHT AFTER NIGHT Tube. Duration : 5.97 Mins.

John Cullum explains he prepares each night, for the nightly performance. Emily asks if he's bored, does he warm up his voice, his body, and does he ever go blank? "Yes," John exclaims, and re-enacts what happened to him on one of the preview nights last week. Performing the moment for her, John delivers a speech that doesn't make much sense, but viewers will get a good sense of how John Cullum attacks the role that he's performing every night at the Lyceum Theater, in "Scottsboro Boys.".

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First Monday Weekend in Scottsboro, Alabama

Scottsboro, Alabama is the home of one of the largest trading days in the region. First Monday Weekend is held each month starting on the Saturday before the first Monday of the month. This huge event is held in downtown Scottsboro in the area around the Jackson County Courthouse Square.

First Monday in Scottsboro goes back more than 100 years. It began in 1902 as Horse Swapper's Day. After a rather slow beginning, the event was eventually changed to Market Day to give area farmers a place to sell and trade their goods. Over the years the variety of vendors increased and so did the crowds. Today First Monday in Scottsboro is a massive trading weekend.

Scottsboro

First Monday has had to adapt to changing times. Many vendors who had full time jobs were unable to participate only on Mondays, so the event is now held Saturday, Sunday, and Monday. Sundays generally bring out the largest crowds. Labor Day Weekend is usually the biggest and best weekend with thousands of people in attendance. Many vendors are regulars who reserve their spaces from month to month. Vendors are expected to set up at least one day of the weekend.

First Monday Weekend in Scottsboro, Alabama

Today no horses or other animals are swapped on First Monday. What buyers will find are handmade crafts, furniture, antiques, baskets, plants, clothing, and food vendors. The atmosphere is fun and festive, and people enjoy browsing among the booths. All kinds of treasures await those who attend First Monday.

Located in northeast Alabama, Scottsboro is situated on Lake Guntersville, the Tennessee River's largest lake. Downtown Scottsboro has an attractive historic district, filled with a variety of shops and restaurants. Courthouse Square, containing the Jackson County Courthouse, is the centerpiece of downtown. Local highways and Interstates serving the Scottsboro area are Interstate 65 and U.S. Hwy. 72, making it easily accessible to the many local attractions and fun things to do.

First Monday Weekend in Scottsboro, Alabama

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Chicago Students Group Discussion of The Scottsboro Boys (7)

Chicago Students Group Discussion of The Scottsboro Boys (7) Tube. Duration : 0.68 Mins.

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Scottsboro Boys Talkback Dec 9, 2010 Feat. CBS's Jan Crawford and Lecia Brooks

Scottsboro Boys Talkback Dec 9, 2010 Feat. CBS's Jan Crawford and Lecia Brooks Video Clips. Duration : 2.87 Mins.

Lecia Brooks is from the The Civil Rights Memorial. This talkback was immediately after the sold out performance on Thursday, Dec 9, 2010.

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In Rehearsal with "The Scottsboro Boys"

In Rehearsal with "The Scottsboro Boys" Video Clips. Duration : 3.83 Mins.

Catching up with the cast of the Broadway musical during rehearsals.

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Porgy and Bess - 2012 Broadway Revival - Norm Lewis Interview

Porgy and Bess - 2012 Broadway Revival - Norm Lewis Interview Tube. Duration : 2.07 Mins.

The Broadway revival of the Gershwins' Porgy and Bess stars Audra McDonald, Norm Lewis and David Alan Grier. Norm Lewis gives Just Dance the inside scoop on his favorite moments, in this interview! Follow Us on Twitter -- www.twitter.com Director - Diane Paulus Choreographer - Ronald K. Brown Music - George Gershwin Lyrics - Ira Gershwin Book and additional Lyrics - DuBose Heyward Script Adaptation - Suzan-Lori Parks www.porgyandbessonbroadway.com Originally penned as a four-hour folk opera, The Gershwins' Porgy and Bess arrives at the Richard Rodgers in a streamlined two-and-a-half-hour staging. At the helm of the production, now billed as a musical, is Tony Award-nominated director Diane Paulus (Hair). It officially opened on Jan. 12, 2012, for a limited run through June 24, 2012. Porgy and Bess has music by George Gershwin, lyrics by his brother Ira and a book and additional lyrics by DuBose Heyward. It is based on the play Porgy, by DuBose and Dorothy Heyward. The Gershwin and Heyward estates gave their blessing to Tony-nominated Hair director Paulus to bring fresh context to Porgy and Bess for contemporary audiences. This production first premiered at the American Repertory Theater (ART) last summer, where Paulus is artistic director. The creative team also boasts Pulitzer Prize-winning playwright Suzan-Lori Parks (Topdog/Underdog, Book of Grace), who is credited with adaptation and additional scenes, and Pulitzer Prize nominee Diedre Murray (Running Man), credited ...

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My First Movie Ever (Scottsboro Trials)

My First Movie Ever (Scottsboro Trials) Video Clips. Duration : 6.45 Mins.

Class project/my first movie

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Son Rise Baptist Church of Scottsboro - Mansion Over The Hilltop

Son Rise Baptist Church of Scottsboro - Mansion Over The Hilltop Video Clips. Duration : 2.90 Mins.

Son Rise Baptist Church of Scottsboro Al at Mount Carmel Baptist Church in Fort Payne Alabama May 2009 - Mansion Over The Hilltop

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The Time of Our Singing: A Novel

The Time of Our Singing: A Novel Review

The Time of Our Singing: A Novel Overview

On Easter day, 1939, at Marian Anderson’s epochal concert on the Washington Mall, David Strom, a German Jewish émigré scientist, meets Delia Daley, a young Philadelphia Negro studying to be a singer. Their mutual love of music draws them together, and—against all odds and better judgment—they marry. They vow to raise their children beyond time, beyond identity, steeped only in song. Jonah, Joseph, and Ruth grow up, however, during the Civil Rights era, coming of age in the violent 1960s, and living out adulthood in the racially retrenched late century. Jonah, the eldest, “whose voice could make heads of state repent,” follows a life in his parents’ beloved classical music. Ruth, the youngest, devotes herself to community activism and repudiates the white culture her brother represents. Joseph, the middle child and the narrator of this generation-bridging tale, struggles to find himself and remain connected to them both.

The Time of Our Singing: A Novel Specifications

In some respects, Richard Powers's The Time of Our Singing is just a big, absorbing drama about an American family, with the typical ingredients of an immigrant parent and some social obstacles--in this case, a biracial marriage in the Civil Rights era--to be overcome by the talented children. But Powers's lyrical gifts lift this material far above its familiar subject matter. His descriptions of music alone will transport the reader. The Strom family were raised with this common language: "Our parents' Crazed Quotations game played on the notion that every moment's tune had all history's music box for its counterpoint. On any evening in Hamilton Heights, we could jump from organum to atonality without any hint of all the centuries that had died fiery deaths between them." The central figure of this novel is the dazzling Jonah, who makes a life from singing, and who may be the only person around him who regards his racial heritage as irrelevant to his ambitions. Powers's is such a fertile writer, however, that he can't stay with any single story, but plunges into pages and pages of family and social histories. The result is a rambling, resonant, fearless novel that pulls the reader along in its wake. --Regina Marler

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Harper Lee's To Kill a Mockingbird: New Essays

Harper Lee's To Kill a Mockingbird: New Essays Review

Harper Lee's To Kill a Mockingbird: New Essays Overview

In 1960, To Kill a Mockingbird was published to critical acclaim. Harper Lee's only novel won the Pulitzer Prize and was transformed into a beloved film starring Gregory Peck as Atticus Finch. An American classic that frequently appears in middle school and high school curriculums, the novel has been subjected to criticism for its subject matter and language. Still relevant and meaningful, To Kill a Mockingbird has nonetheless been under-appreciated by many critics. There are few books that address Lee's novel's contribution to the American canon and still fewer that offer insights that can be used by teachers and by students. To commemorate the novel's 50th anniversary, Meyer has assembled a collection of new essays that celebrate this enduring work of American literature. These essays suggest that author Harper Lee deserves more credit for skillfully shaping a masterpiece that not only addresses the problems of the 1930s but also helps its readers see the problems and prejudices the world faces today. Intended for high school and undergraduate usage, as well as for teachers planning to use To Kill a Mockingbird in their classrooms, this collection of essays approaches the novel from educational, legal, social, and thematic perspectives. It will be a valuable resource for all teachers of American literature.

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James Baldwin : Collected Essays : Notes of a Native Son / Nobody Knows My Name / The Fire Next Time / No Name in the Street / The Devil Finds Work / Other Essays (Library of America)

James Baldwin : Collected Essays : Notes of a Native Son / Nobody Knows My Name / The Fire Next Time / No Name in the Street / The Devil Finds Work / Other Essays (Library of America) Review

James Baldwin : Collected Essays : Notes of a Native Son / Nobody Knows My Name / The Fire Next Time / No Name in the Street / The Devil Finds Work / Other Essays (Library of America) Overview

"Collected Essays" is the most comprehensive gathering of Baldwin's nonfiction ever published. The collection confirms his as a uniquely prophetic voice in American letters. Included are such famous essays as "The Harlem Ghetto", "Everybody's Protest Novel", Many Thousands Gone", and "Stranger in the Village" .

James Baldwin : Collected Essays : Notes of a Native Son / Nobody Knows My Name / The Fire Next Time / No Name in the Street / The Devil Finds Work / Other Essays (Library of America) Specifications

Writer James Baldwin earnestly championed the civil rights movement in both his fiction and nonfiction, a fact which, coupled with his extraordinary writing talent, assured not only his historical importance, but also his place as one of the finest African American writers of his generation. Collected Essays is a comprehensive collection of his most memorable prose, including "Stranger in the Village," "The Harlem Ghetto," and "Many Thousands Gone." Clear in voice and vision, the essays communicate the emotions of an entire historical movement. Combining politics, prophecy, and passion, Baldwin's essays are truly as thought-provoking today as they were some 30 years ago.

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Dare To Go Beyond -The Album

Dare To Go Beyond -The Album Tube. Duration : 2.00 Mins.

Dare To Go Beyond - The Album Executive creative producer: Luis Salgado Record producer: Lynn Pinto for Rocket Science Records Associate executive creative producer: Heather Hogan Orchestrations & arrangements by Jaime Lozano Music director: Zachary Dietz Associate music director: Jaime Lozano Engineered by Andros Rodriguez Mixed by Andros Rodriguez Mastered by Nathan James Music advisor: Alex Lacamoire Assistant engineers: Sam Giannelli & Kevin Geigel Second assistant engineer: Chris Souverain Assistant music arranger: Jesús Altamira Art design: Victor Rodriguez R.Evolución Latina internal media director: Sally Neiman Recorded & mixed at Premier Digital Studios NYC Mastered at The Vault Mastering Studios NYC Featuring Broadway Artists: Corbin Bleu (In The Heights, "High School Musical"), Andrea Burns (In The Heights), Janet Dacal (In The Heights), Joshua Henry (Scottsboro Boys), Luis Salgado (In The Heights, Women on The Verge of A Nervous Breakdown), Marcus Paul James (In The Heights), Josefina Scaglione (West Side Story), Gabriela Garcia (Chicago, The Musical), Doreen Montalvo (In The Heights) George Akram (West Side Story), Eliseo Roman (In The Heights), Michael Balderrama (In The Heights), Taharqa Patterson, Andrea Patterson, Choco Orta. About The Album In his quest to produce unique resources that inspire, R.Evolución Latina Director and CD Creative Producer, Luis Salgado, gathered a talented group of singers, songwriters and musicians to share their talents and ...

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The Portable Harlem Renaissance Reader (Portable Library)

The Portable Harlem Renaissance Reader (Portable Library) Review

The Portable Harlem Renaissance Reader (Portable Library) Overview

Gathering a representative sampling of the New Negro Movement's most important figures, and providing substantial introductory essays, headnotes, and brief biographical notes, Lewis' volume—organized chronologically—includes the poetry and prose of Sterling Brown, Countee Cullen, W. E. B. Du Bois, Zora Neale Hurston, James Weldon Johnson, and others.

The Portable Harlem Renaissance Reader (Portable Library) Specifications

This collection magnificently represents the great voices of this era. The volume includes the work of some forty-five Renaissance figures: short fiction and self-contained novel excerpts by Zora Neale Hurston, Nella Larsen, Wallace Thurman, and Jean Toomer; poems by Gwendolyn Bennett, Countee Cullen, Jessie Redmon Fauset, Langston Hughes, and Claude McKay; essays, manifestos, speeches, and nostalgic reminiscences by Romare Bearden, W. E. B. Dubois, Marcus Garvey, James Weldon Johnson, Alain Locke, and Richard Wright.

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Crossing the Danger Water: Three Hundred Years of African-American Writing

Crossing the Danger Water: Three Hundred Years of African-American Writing Review

Crossing the Danger Water: Three Hundred Years of African-American Writing Overview

The history of African-American life and thought presented in this anthology represents a far-reaching written and oral tradition, which is thought-provoking, inspiring, and impressive in its breadth. It includes poetry and prose by today's best and most well-known writers.

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The Cast of Company on the 2011 Tony Awards.

The Cast of Company on the 2011 Tony Awards. Tube. Duration : 4.95 Mins.

WATCH FULL VIDEO AT THIS LINK :::: tony-awards-2011-highlights.notlong.com http Tony Awards 2011 Highlights: 'Book Of Mormon' and 'War Horse' Win Big (PHOTOS, VIDEO) New York , Stephen Colbert , Video , Anything Goes , Book Of Mormon , How I Met Your Mother , Hugh Jackman , Neil Patrick Harris , New York City , Spider-Man Musical , Sutton Foster , The Scottsboro Boys , Tony Awards , Awards Show , Book Of Mormon Broadway , Broadway , Comedy , Mormons , Arts News

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At the Hands of Persons Unknown: The Lynching of Black America (Modern Library Paperbacks)

At the Hands of Persons Unknown: The Lynching of Black America (Modern Library Paperbacks) Review

At the Hands of Persons Unknown: The Lynching of Black America (Modern Library Paperbacks) Overview

Winner of the Southern Book Critics Circle Award for Nonfiction

This extraordinary account of lynching in America, by acclaimed civil rights historian Philip Dray, shines a clear, bright light on American history’s darkest stain—illuminating its causes, perpetrators, apologists, and victims. Philip Dray also tells the story of the men and women who led the long and difficult fight to expose and eradicate lynching, including Ida B. Wells, James Weldon Johnson, Walter White, and W.E.B. Du Bois. If lynching is emblematic of what is worst about America, their fight may stand for what is best: the commitment to justice and fairness and the conviction that one individual’s sense of right can suffice to defy the gravest of wrongs. This landmark book follows the trajectory of both forces over American history—and makes lynching’s legacy belong to us all.

At the Hands of Persons Unknown: The Lynching of Black America (Modern Library Paperbacks) Specifications

Lynching, the extrajudicial punishment inflicted by vigilantes and mobs on often innocent victims, was far from an unusual occurrence, though some historians have depicted it as such. Instead, writes Philip Dray, lynching was part of a "systematized reign of terror that was used to maintain the power whites had over blacks." Drawing on records held at the Tuskegee Institute, Dray argues that from 1882 until 1952, not a single year passed without a recorded lynching somewhere in the United States, most often in the Deep South and Mississippi Delta regions. This violent "justice," meted out "at the hands of persons unknown" (with, therefore, no possibility of attaching guilt to the perpetrators, though, as Dray points out, such seemingly spontaneous events required organization and planning) held African American communities in terror and was one force behind the exodus of black southerners to the north in the late 19th and early 20th centuries. Dray's extraordinary study reveals a pattern of crime against humanity, one that, he writes, diminished gradually for various reasons, not least of them the work of reformers and ordinary citizens "who knew we were too good to be a nation of lynchers." --Gregory McNamee

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"Scottsboro Boys" Interview pt. 2

"Scottsboro Boys" Interview pt. 2 Video Clips. Duration : 9.55 Mins.

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Anthology of Modern American Poetry

Anthology of Modern American Poetry Review

Anthology of Modern American Poetry Overview

Anthology of Modern American Poetry contains more than 750 poems by 161 American poets, including many who have not been anthologized before. Spanning a period from Walt Whitman to Sherman Alexie, this collection is the first to review the twentieth century comprehensively. It presents not only the canonical poetry of the last hundred years but also numerous poems by women, minority, and progressive writers only rediscovered in the past two decades.

Uniquely comprehensive, Anthology of Modern American Poetry represents Robert Frost with 23 poems, Wallace Stevens with 22, and Marianne Moore with 14, including her most ambitious long poems. William Carlos Williams is represented not only by his exquisite short lyrics, but also with an experimental combination of poetry and prose. With 29 poems, Langston Hughes is given full treatment for the first time in any comprehensive anthology. Substantial selections by contemporary poets like John Ashbery, Sylvia Plath, Frank O'Hara, Philip Levine, Lucille Clifton, Judy Grahn, Adrian Louis, Yusef Komunyakaa, Martín Espada, and Sherman Alexie are also included.

Anthology of Modern American Poetry is the first anthology to give full treatment to American long poems and poem sequences. T.S. Eliot's The Waste Land, Gertrude Stein's "Patriarchal Poetry," William Carlos Williams's The Descent of Winter, Edna St. Vincent Millay's "Sonnets from an Ungrafted Tree," Muriel Rukeyser's "The Book of the Dead," Melvin Tolson's Libretto for the Republic of Liberia, Theodore Roethke's "North American Sequence," Gwendolyn Brooks's "Gay Chaps at the Bar," Kenneth Rexroth's "The Love Poems of Marichiko," both Allen Ginsberg's "Howl" and his "Wichita Vortex Sutra," and both Adrienne Rich's "Shooting Script" and her "Twenty-One Love Poems" are all included in their entirety.

Anthology of Modern American Poetry offers the most detailed annotations available in an anthology of this type. Many works benefit from specially commissioned research that provides students with such help as the identification of the inventive references in Melvin Tolson's poetry, translation of all foreign language passages, and illumination of obscure references. This is also the only American poetry anthology to present selected poems in the beautifully illustrated form in which they first appeared. In addition, an accompanying website featuring readings of poems and historical background is available at http://www.english.uiuc.edu/maps.

Ideal for courses in modern American poetry, modern American literature, modern or contemporary poetry, creative writing-poetry, and American studies, Anthology of Modern American Poetry introduces students to the last 100 years of our poetic heritage in a uniquely rich and provocative format.

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The One: The Life and Music of James Brown

The One: The Life and Music of James Brown Review

The One: The Life and Music of James Brown Overview

The definitive biography of James Brown, the Godfather of Soul, with fascinating findings on his life as a Civil Rights activist, an entrepreneur, and the most innovative musician of our time

Playing 350 shows a year at his peak, with more than forty Billboard hits, James Brown was a dazzling showman who transformed American music. His life offstage was just as vibrant, and until now no biographer has delivered a complete profile. The One draws on interviews with more than 100 people who knew Brown personally or played with him professionally. Using these sources, award-winning writer RJ Smith draws a portrait of a man whose twisted and amazing life helps us to understand the music he made.

The One delves deeply into the story of a man who was raised in abject-almost medieval-poverty in the segregated South but grew up to earn (and lose) several fortunes. Covering everything from Brown's unconventional childhood (his aunt ran a bordello), to his role in the Black Power movement, which used "Say It Loud (I'm Black and Proud)" as its anthem, to his high-profile friendships, to his complicated family life, Smith's meticulous research and sparkling prose blend biography with a cultural history of a pivotal era.

At the heart of The One is Brown's musical genius. He had crucial influence as an artist during at least three decades; he inspires pity, awe, and revulsion. As Smith traces the legend's reinvention of funk, soul, R&B, and pop, he gives this history a melody all its own.

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Corrections: The Essentials

Corrections: The Essentials Review

Corrections: The Essentials Overview

Corrections: The Essentials, is a comprehensive, yet compact version of the typical corrections text. The text addresses the most important topics in corrections in a shorter format, while allowing for more accessibility through cost. It includes the usual topics typically found in corrections textbooks, from the history and development of correctional institutions, to the future of corrections. The book is designed for introductory lower and upper division corrections classes, or as a supplement to other corrections classes at the undergraduate or graduate level.

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Run..That/GoBackHome

Run..That/GoBackHome Tube. Duration : 3.28 Mins.

'Run and Tell That'- Hairspray (Seaweed) 16bar 'Go Back Home'- Scottsboro Boys: a book by David Thompson, music by John Kander and lyrics by Fred Ebb Accompanied by Lisa Lawrence

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Review: "The Scottsboro Boys"

Review: "The Scottsboro Boys" Tube. Duration : 7.18 Mins.

David, Amy and Morgan check out the new Kander & Ebb musical.

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Meet the 2011 Tony Nominees part 2

Meet the 2011 Tony Nominees part 2 Tube. Duration : 2.82 Mins.

The American Theatre Wing's 2011 Tony Award® nominations were announced on Tuesday, May 3rd. The next day our friend Julie James of SIRIUS XM radio chatted with this year's nominees including: Andrew Rannells and Rory O'Malley ("The Book of Mormon"), Joshua Henry ("The Scottsboro Boys") Beth Leavel ("Baby It's You!"),Victoria Clark ("Sister Act") and Tony Sheldon ("Priscilla Queen of the Desert").

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The Scottsboro Boys Trials Part 6 Way before the Civil Rights Movement 1931 to 1937.avi

The Scottsboro Boys Trials Part 6 Way before the Civil Rights Movement 1931 to 1937.avi Video Clips. Duration : 10.00 Mins.

Yes, Blacks and Whites did march together for one clause prior to the Civil Rights movement, but why is this hidden from History? Watch and find out. The Scottsboro Boys were nine black teenage boys accused of rape in Alabama in 1931. The landmark set of legal cases from this incident deal with racism and a basic American right: the Right to a fair trial. The case includes a frame-up, all-white jury, rushed trials, an attempted lynching, angry mob, and miscarriage of justice.

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Tony Awards 2011 - Cast Of Memphis - Steal Your Rock & Roll - HD.

Tony Awards 2011 - Cast Of Memphis - Steal Your Rock & Roll - HD. Tube. Duration : 5.25 Mins.

WATCH FULL VIDEO AT THIS LINK :::: tony-awards-2011-highlights.notlong.com http Tony Awards 2011 Highlights: 'Book Of Mormon' and 'War Horse' Win Big (PHOTOS, VIDEO) New York , Stephen Colbert , Video , Anything Goes , Book Of Mormon , How I Met Your Mother , Hugh Jackman , Neil Patrick Harris , New York City , Spider-Man Musical , Sutton Foster , The Scottsboro Boys , Tony Awards , Awards Show , Book Of Mormon Broadway , Broadway , Comedy , Mormons , Arts News

Tags: New York, Stephen Colbert, Video, Anything Goes, Book Of Mormon, How I Met Your Mother, Hugh Jackman, Neil Patrick Harris, New York City, Spider-Man Musical, Sutton Foster, The Scottsboro Boys, Tony Awards, Awards Show, Book Of Mormon Broadway, Broadway, Comedy, Mormons, Arts News

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American Jesus: How the Son of God Became a National Icon

American Jesus: How the Son of God Became a National Icon Review

American Jesus: How the Son of God Became a National Icon Overview

Jesus the Black Messiah; Jesus the Jew; Jesus the Hindu sage; Jesus the Haight-Asbury hippie: these Jesuses join the traditional figure of Jesus Christ in American Jesus, which was acclaimed upon publication in hardcover as an altogether fresh exploration of American history--and as the liveliest book about Jesus to appear in English in years.

Our nation's changing images of Jesus, Stephen Prothero contends, are a kind of looking class into the national character. Even as most Christian believers cleave to a traditional faith, other people give Jesus a leading role as folk hero, pitchman, and countercultural icon. And so it has been since the nation's founding--from Thomas Jefferson, who took scissors to his New Testament to sort out true from false Jesus material; to the Jews, Buddhists and Muslims who fit Jesus into their own traditions; to the people who adapt Jesus for stage and screen and the Holy Land theme park. American Jesus is "a lively, illuminating and accessible survey that takes us into unexpected corners of our shared religious heritage" (Dan Cryer, Newsday).

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At the Dark End of the Street: Black Women, Rape, and Resistance--A New History of the Civil Rights Movement from Rosa Parks to the Rise of Black Power (Vintage)

At the Dark End of the Street: Black Women, Rape, and Resistance--A New History of the Civil Rights Movement from Rosa Parks to the Rise of Black Power (Vintage) Review

At the Dark End of the Street: Black Women, Rape, and Resistance--A New History of the Civil Rights Movement from Rosa Parks to the Rise of Black Power (Vintage) Overview

Rosa Parks was often described as a sweet and reticent elderly woman whose tired feet caused her to defy segregation on Montgomery’s city buses, and whose supposedly solitary, spontaneous act sparked the 1955 bus boycott that gave birth to the civil rights movement.

The truth of who Rosa Parks was and what really lay beneath the 1955 boycott is far different from anything previously written.

In this groundbreaking and important book, Danielle McGuire writes about the rape in 1944 of a twenty-four-year-old mother and sharecropper, Recy Taylor, who strolled toward home after an evening of singing and praying at the Rock Hill Holiness Church in Abbeville, Alabama. Seven white men, armed with knives and shotguns, ordered the young woman into their green Chevrolet, raped her, and left her for dead. The president of the local NAACP branch office sent his best investigator and organizer to Abbeville. Her name was Rosa Parks. In taking on this case, Parks launched a movement that ultimately changed the world.

The author gives us the never-before-told history of how the civil rights movement began; how it was in part started in protest against the ritualistic rape of black women by white men who used economic intimidation, sexual violence, and terror to derail the freedom movement; and how those forces persisted unpunished throughout the Jim Crow era when white men assaulted black women to enforce rules of racial and economic hierarchy. Black women’s protests against sexual assault and interracial rape fueled civil rights campaigns throughout the South that began during World War II and went through to the Black Power movement. The Montgomery bus boycott was the baptism, not the birth, of that struggle.

At the Dark End of the Street describes the decades of degradation black women on the Montgomery city buses endured on their way to cook and clean for their white bosses. It reveals how Rosa Parks, by 1955 one of the most radical activists in Alabama, had had enough. “There had to be a stopping place,” she said, “and this seemed to be the place for me to stop being pushed around.” Parks refused to move from her seat on the bus, was arrested, and, with fierce activist Jo Ann Robinson, organized a one-day bus boycott.

The protest, intended to last twenty-four hours, became a yearlong struggle for dignity and justice. It broke the back of the Montgomery city bus lines and bankrupted the company.

We see how and why Rosa Parks, instead of becoming a leader of the movement she helped to start, was turned into a symbol of virtuous black womanhood, sainted and celebrated for her quiet dignity, prim demeanor, and middle-class propriety—her radicalism all but erased. And we see as well how thousands of black women whose courage and fortitude helped to transform America were reduced to the footnotes of history.

A controversial, moving, and courageous book; narrative history at its best.


From the Hardcover edition.

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Better Day Coming: Blacks and Equality, 1890-2000

Better Day Coming: Blacks and Equality, 1890-2000 Review

Better Day Coming: Blacks and Equality, 1890-2000 Overview

From the end of postwar Reconstruction in the South to an analysis of the rise and fall of Black Power, acclaimed historian Adam Fairclough presents a straightforward synthesis of the century-long struggle of black Americans to achieve civil rights and equality in the United States. Beginning with Ida B. Wells and the campaign against lynching in the 1890s, Fairclough chronicles the tradition of protest that led to the formation of the NAACP, Booker T. Washington and the strategy of accommodation, Marcus Garvey and the push for black nationalism, through to Martin Luther King, Jr., and the Civil Rights Movement of the 1960s and beyond. Throughout, Fairclough presents a judicious interpretation of historical events that balances the achievements of the Civil Rights Movement against the persistence of racial and economic inequalities.

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Scottsboro Too, Is Worth Its Song

Scottsboro Too, Is Worth Its Song Tube. Duration : 0.95 Mins.

Poem

Keywords: Scottsboro, Boys, Poem

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Go Back Home/Endless Night- George Carlson McLeary

Go Back Home/Endless Night- George Carlson McLeary Tube. Duration : 4.85 Mins.

Go Back Home-The Scottsboro Boys Music:John Kander Lyrics:Fred Ebb Endless Night-Lion King Music:Elton John Lyrics:Tim Rice

Keywords: George, Carlson, mcleary, Lion, King, Scottsboro, Boys

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Scottsboro, Alabama: A Story in Linoleum Cuts

Scottsboro, Alabama: A Story in Linoleum Cuts Review

Scottsboro, Alabama: A Story in Linoleum Cuts Overview

Explore this title online!

In 1931, nine black youths were falsely accused of raping two white women on a freight train traveling through northern Alabama. They were arrested and tried in four days, convicted of rape, and eight of them were sentenced to death. The ensuing legal battle spanned six years and involved two landmark decisions by the Supreme Court. One of the most well known and controversial legal decisions of our time, the Scottsboro case ignited the collective emotions of the country, which was still struggling to come to terms with fundamental issues of racial equality.

Scottsboro, Alabama, which consists of 118 exceptionally powerful linoleum prints, provides a unique graphic history of one of the most infamous, racially-charged episodes in the annals of the American judicial system, and of the racial and class struggle of the time. Originally printed in Seattle in 1935, this hitherto unknown document, of which no other known copies exist, is presented here for the first time. It includes a foreword by Robin D.G. Kelley and an introduction by Andrew H. Lee. Mr. Lee discovered the book as part of a gift to the Tamiment Library by the family of Joe North, an important figure in the Communist Party-USA, and an editor at the seminal left-wing journal, the New Masses.

A true historical find and an excellent tool for teaching the case itself and the period which it so indelibly marked, this book allows us to see the Scottsboro case through a unique and highly provocative lens.

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Voices of a People's History of the United States

Voices of a People's History of the United States Review

Voices of a People's History of the United States Overview

Here in their own words are Frederick Douglass, George Jackson, Chief Joseph, Martin Luther King Jr., Plough Jogger, Sacco and Vanzetti, Patti Smith, Bruce Springsteen, Mark Twain, and Malcolm X, to name just a few of the hundreds of voices that appear in Voices of a People's History of the United States, edited by Howard Zinn and Anthony Arnove.
Paralleling the twenty-four chapters of Zinn's A People's History of the United States, Voices of a People’s History is the long-awaited companion volume to the national bestseller. For Voices, Zinn and Arnove have selected testimonies to living history—speeches, letters, poems, songs—left by the people who make history happen but who usually are left out of history books—women, workers, nonwhites. Zinn has written short introductions to the texts, which range in length from letters or poems of less than a page to entire speeches and essays that run several pages. Voices of a People’s History is a symphony of our nation’s original voices, rich in ideas and actions, the embodiment of the power of civil disobedience and dissent wherein lies our nation’s true spirit of defiance and resilience.

Voices of a People's History of the United States Specifications

Howard Zinn is famous primarily for A People's History of the United States, the book in which he presented alternative versions of American milestones, including Columbus's "discovery" of the New World. Voices of a People's History of the United States is the follow-up to that original landmark work, but where People's History contained Zinn's interpretations of events, Voices turns the platform over to others, in a collection of first-hand accounts, journal entries, speeches, personal letters, and published opinion pieces from the nation's history.

The purpose of Zinn's work, Voices included, is to engage in an act of political dissidence and activism. "What is common to all of these voices," Zinn and co-editor Anthony Arnove write in the book's introduction, "is that they have mostly been shut out of the orthodox histories, the major media, the standard textbooks, the controlled culture ... to create a passive citizenry." With Voices, Zinn and Arnove seek to address that malaise, showing that the impossible--slaves rising up against their slave masters, for example--is not only possible, but has occurred repeatedly throughout the country's history. "Whenever injustices have been remedied, wars halted, women and blacks and Native Americans given their due," they write, "it has been because 'unimportant' people spoke up, organized, protested, and brought democracy alive." The common thread throughout Voices is this mandate, and each selection is preceded by a brief introduction by the authors, written from a far-left perspective. (As an example, one section is titled "The Carter-Reagan-Bush Consensus.")

Voices often works better as a reference book than a sit-down-to-read title. Its early chapters--on Columbus, slavery, the War of Independence, and the early women's movement--tend to be more engaging than later excerpts, largely because a contrary point of view to mainstream mythology has been so rarely heard. The modern sections have a haphazard, "greatest hits of the left" feeling, as the book jumps from an Abbie Hoffman speech to the lyrics of Public Enemy's "Fight the Power." The problem may be inherent in the format of the book. Everything is treated equally, and a speech by Danny Glover is given as much weight as an excerpt from W.E.B. DuBois's The Souls of Black Folk. For context and background, it's best to stick with the original People's History, but to hear the words right from the speakers' mouths, there's no better resource than Voices. --Jennifer Buckendorff

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Ordinary Injustice: How America Holds Court

Ordinary Injustice: How America Holds Court Review

Ordinary Injustice: How America Holds Court Overview

"A groundbreaking book . . . revealing the systemic, everyday problems in our courts that must be addressed if justice is truly to be served."—Doris Kearns Goodwin

Attorney and journalist Amy Bach spent eight years investigating the widespread courtroom failures that each day upend lives across America. What she found was an assembly-line approach to justice: a system that rewards mediocre advocacy, bypasses due process, and shortchanges both defendants and victims to keep the court calendar moving.

Here is the public defender who pleads most of his clients guilty with scant knowledge about their circumstances; the judge who sets outrageous bail for negligible crimes; the prosecutor who habitually declines to pursue significant cases; the court that works together to achieve a wrongful conviction. Going beyond the usual explanations of bad apples and meager funding, Ordinary Injustice reveals a clubby legal culture of compromise, and shows the tragic consequences that result when communities mistake the rules that lawyers play by for the rule of law. It is time, Bach argues, to institute a new method of checks and balances that will make injustice visible—the first and necessary step to reform.

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Youth football sacks

Youth football sacks Tube. Duration : 1.72 Mins.

Youth football sacks at Kare youth league. 9 year old little Mikey makes great sacks in games. He is delighted when coach puts him in rushing position. Kare youth League gives great opportunity to play tackle football for boys.

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Jared Zirilli Blog 30- 'Broadway Boo's' with Christian Dante White!

Jared Zirilli Blog 30- 'Broadway Boo's' with Christian Dante White! Tube. Duration : 3.78 Mins.

With a smile for days, and more octaves than mariah herself, I give you my latest interview with Christian Dante White of City Center's THE WIZ, Scottsboro Boys, and the upcoming Book of Mormon tour! JaredZirilli.com https

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BROADWAY ON BROADWAY 2010: Highlights from the Show - Part Three

BROADWAY ON BROADWAY 2010: Highlights from the Show - Part Three Video Clips. Duration : 3.55 Mins.

For the latest in entertainment, go to NEALB.tv Part Three Performance Highlights: Priscilla Queen of the Desert - American Idiot - West Side Story - Judith Light & Dan Lauria - Rain: A Tribute to the Beatles on Broadway - Karen Olivo, Lin-Manuel Miranda & the cast Five-time Emmy winner Kelsey Grammer, who is currently starring in the Tony-winning revival of La Cage aux Folles, will host the 19th annual free Broadway on Broadway concert September 12, 2010 at 11:30am in Times Square. The Broadway League and the Times Square Alliance produce the annual event that will showcase musicals from the 2010-2011 season. The concert will feature appearances and/or performances by artists from The Addams Family, American Idiot, Billy Elliot The Musical, Chicago, Elf, Fela!, In the Heights, La Cage Aux Folles, The Lion King, Mamma Mia!, Memphis, Million Dollar Quartet, Priscilla Queen of the Desert, The Phantom of the Opera, Promises, Promises, Rain: A Tribute to the Beatles on Broadway, Rock of Ages, The Scottsboro Boys, West Side Story and more. The 11:30 AM concert will also boast a 30-piece orchestra, which will accompany the represented musicals. HUE Leggings and Continental Airlines present the concert that is sponsored by AT&T and The New York Times. Visit BroadwayonBroadway. © 2010. NealB.tv www.nealb.tv

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65th Tony Awards: "Memphis"

65th Tony Awards: "Memphis" Tube. Duration : 3.05 Mins.

65th Tony Awards Memphis "Steal Your Rock 'n' Roll" Performed by Chad Kimball, Montego Glover and the company. Music and Lyrics by David Bryan and Joe DiPietro. Book by Joe DiPrieto.

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The Groveland Four: The Sad Saga of a Legal Lynching

The Groveland Four: The Sad Saga of a Legal Lynching Review

The Groveland Four: The Sad Saga of a Legal Lynching Overview

The Groveland Four: The Sad Saga of a LegalLynching is the shocking,but true story of prejudice, violence, corruption, courage and redemption thatmade international headlines. Gary Corsair's account is based on exhuastiveresearch into one of the most notorious Civil Rights cases of all time, a casethat began when a 17-year-old Florida girl reported being kidnapped and rapedby four Negro men on July 16, 1949.Here for the first time anywhere, are the vivid memories of those who livedthe nightmares of blood-thirsty mobs, police brutality, lying witnesses, KuKlux Klan terrorists, manufactured evidence, and murder by the very men swornto uphold the law. The Groveland Four: The Sad Saga of a Legal Lynchingis the product of exclusive interviews with the only surviving defendant,relatives of the men who died for a crime they swore they didn't commit, andothers with first-hand knowledge of the events that have polarized Lake County,Florida, for 50-plus years. Corsair also gained access to legal files untouchedfor 50 years that reveal rare insights into the men who fought to save thedefendants and cast serious doubts on the gulity verdicts rendered by all-whitejuries.

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65th Tony Awards: American Theatre Wing Spech by Angela Lansbury

65th Tony Awards: American Theatre Wing Spech by Angela Lansbury Video Clips. Duration : 1.98 Mins.

65th Tony Awards American Theatre Wing Spech by Angela Lansbury.

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The Cross and the Lynching Tree

The Cross and the Lynching Tree Review

The Cross and the Lynching Tree Overview

They put him to death by hanging him on a tree. Acts 10:39

The cross and the lynching tree are the two most emotionally charged symbols in the history of the African American community. In this powerful new work, theologian James H. Cone explores these symbols and their interconnection in the history and souls of black folk. Both the cross and the lynching tree represent the worst in human beings and at the same time a thirst for life that refuses to let the worst determine our final meaning. While the lynching tree symbolized white power and black death, the cross symbolizes divine power and black life God overcoming the power of sin and death. For African Americans, the image of Jesus, hung on a tree to die, powerfully grounded their faith that God was with them, even in the suffering of the lynching era.

In a work that spans social history, theology, and cultural studies, Cone explores the message of the spirituals and the power of the blues; the passion and of Emmet Till and the engaged vision of Martin Luther King, Jr.; he invokes the spirits of Billie Holliday and Langston Hughes, Fannie Lou Hamer and Ida B. Well, and the witness of black artists, writers, preachers, and fighters for justice. And he remembers the victims, especially the 5,000 who perished during the lynching period. Through their witness he contemplates the greatest challenge of any Christian theology to explain how life can be made meaningful in the face of death and injustice.

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The Duke Lacrosse Case: A Documentary History and Analysis of the Modern Scottsboro

The Duke Lacrosse Case: A Documentary History and Analysis of the Modern Scottsboro Review

The Duke Lacrosse Case: A Documentary History and Analysis of the Modern Scottsboro Overview

History and social analysis of the Duke lacrosse case, retold in part from original documents; compared and contrasted with the social history of the Scottsboro trials.

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The Color of Justice: Race, Ethnicity, and Crime in America (The Wadsworth Contemporary Issues in Crime and Justice Series)

The Color of Justice: Race, Ethnicity, and Crime in America (The Wadsworth Contemporary Issues in Crime and Justice Series) Review

The Color of Justice: Race, Ethnicity, and Crime in America (The Wadsworth Contemporary Issues in Crime and Justice Series) Overview

Comprehensive and balanced, THE COLOR OF JUSTICE is the definitive book on current research and theories of racial and ethnic discrimination within America's Criminal Justice system. The best and the most recent research on patterns of criminal behavior and victimization, police practices, court processing and sentencing, the death penalty, and correctional programs are covered giving students the facts and theoretical foundation they need to make their own informed decisions about discrimination in the system. Uniquely unbiased, THE COLOR OF JUSTICE makes every effort to incorporate discussion of all major race groups found in the United States

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Progress Killed My Fishing Holes!

U.S. Highway 72 is an old route in north Alabama, stretching from Bridgeport, Tennessee to Memphis on the other side of the state. Over the years I've caught a lot of fish in streams and lakes near this road, where it meandered near the Tennessee River and the backwaters of one TVA dam or another. Sometimes I'd just stop the truck and fish from the side of the highway.

That was another day though, before progress in the way of road expansions changed forever the picturesque sites of quite a few successful fishing expeditions. Changing old highway 72 into a modern 4-lane speedway has either destroyed entirely or ravaged beyond recognition, my once special roadside fishing spots.

Scottsboro

I remember one warm spring afternoon as I was returning to my home in Huntsville, Alabama, from having fished at a place named Second Creek on the old highway 72 west. My buddy and I had caught a few crappies that morning and as we approached a little stream named First Creek. There wasn't a lot of thought going into selecting creek names back then.

Progress Killed My Fishing Holes!

This stream was one of the prettiest I've ever seen because it was nestled between a little spit of land filled with trees and the huge outcropping of a sheer rock wall. The water was always calm and in the spring had a hint of green pollen lying placidly on top. The whole pool couldn't have been more than 50 yards long and about 25 yards wide, but it was fed by the river, which kept the water clean and moving along.

Our first casts, up against the rock wall, netted us both a nice smallmouth bass. It didn't really matter what kind of bait we threw at them, it worked! We fished there for about an hour, catching one fish after another until the rest of them left for safer ground. It was a beautiful afternoon that is forever etched in my memory.

About 80 miles east on highway 72, there was an old bridge about 10 miles west of Scottsboro, Alabama, where state highway 79 crossed the road. I've spent many pleasant spring and fall evenings sitting under that overpass in a boat, fishing from the light of my Coleman lantern.

During the spring, I and whatever fishing buddy I had at the time would catch baskets full of crappie there. In the fall, we would tie a lantern to one of the support beams and let it hang almost to the top of the water. When bait fish would swim through the light, we would catch striped bass and sometimes an unexpected largemouth bass, as we listened to the sound of drums from a high school football game about 3 miles away from where we were fishing.

Every once in a while an automobile would cross the bridge, shaking loose a few small pieces of aged debris each time. Nothing heavy every fell, though there were a few times when we prayed that a truck wouldn't try to cross that bridge.

After a business trip to the Midwest that lasted four years, I returned to the south and one pleasant autumn evening, I loaded up the boat and headed to the old 79 bridge. It was gone!

During my absence it had been demolished and hauled away. A new highway had been built about a hundred yards from my old fishing hole, diverting the flow of water away from the place I used to fish. It was if the bridge and my evening fishing memories had never existed!

There'll always be progress. If you don't have it, you'll soon atrophy and die. I wish though, that progress would leave my fishing holes alone.

Progress Killed My Fishing Holes!

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Broadway's "The Scottsboro Boys": Finding the Truth

Broadway's "The Scottsboro Boys": Finding the Truth Tube. Duration : 3.15 Mins.

www.playbill.com "The Scottsboro Boys"' librettist Tommy Thompson and the cast of the musical speak about the research and "table work" that helped make a socially-aware entertainment out of the factual story of nine young black men accused of a crime in the Jim Crow South.

Tags: Broadway, Playbill, musical, Tommy Thompson, The Scottsboro Boys, research, table work, jim crow south

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The Cast of Scottsboro Boys posing for photos with America Ferrera of Ugly Betty (part 2)

The Cast of Scottsboro Boys posing for photos with America Ferrera of Ugly Betty (part 2) Tube. Duration : 0.23 Mins.

Backstage at the Lyceum Theater in Times Square after a performance of the Scottsboro Boys with America Ferrera of Ugly Betty!

Keywords: Scottsboro Boys, broadway, musical, musicals, theater

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